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August 15 - October 26, 2008 -
ENTRANCE GALLERIES
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THROWN, CARVED, AND FIRED: Ceramic Arts
From large-scale sculptures to mixed media and utilitarian forms,
Thrown, Carved and Fired features an assortment of artistic
creations by artists from the Ceramic Design Association of Hampton
Roads.
Artists include Robyn Bailey, Phyllis Canupp, Suzanne Cowan, Janet
Drew, Frederick Freeman, Lesley Hildreth, Diane Jacobson, Barbara
Kobylinska, Karen McLemore, Rita Park and Bill Pinkham. Many of
these artists practices in the arts began with their studies in
other media, such as painting, drawing, sculpture and theatre design
before focusing on ceramics. These current works emphasize their
varying themes, forms and use of color. Thrown, Carved and Fired
opens with a reception on August 14th and continues through October
26, 2008.
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Reception: August
14, 2008
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Click on images to enlarge. |
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July 25 - October 19, 2008 - MAIN
GALLERY
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SPECTACULAR SPECTACLES
For thousands of people, spectacles bring the world into focus, yet
few people understand how eyeglasses work and would be surprised by
the variations in their use as they developed. Early spectacles from
China were thought to improve one’s sight in both a physical and
spiritual sense. Western spectacles were designed to accommodate
fashion, serve vanity, hide failing eyesight or simply to spy on
others. Spectacular Spectacles is an exhibit featuring over 300
spectacles and vision aids from around the world. The exhibit,
created by the Museum of Vision and toured by Smith Kramer Fine Art
Services, offers the finest and most unusual pieces representative
of changes in technology and craftsmanship.
Reception: July
24, 2008
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Click on images to enlarge. |

Opera glasses, c.1900. Mother of pearl, glass, metal. |

Chinese spectacles, c.1880. The Harriet and J. William
Rosenthal, MD Collection. |

Chinese spectacles with metal frame, c.1880. Temple pieces are
shaped like bamboo, a symbol of longevity, while the bridge
features two dragons, which represent male vigor and fertility.
The Harriet and J. William Rosenthal, MD Collection. |

Chinese spectacles with horn frames, brass bridge with forehead
rest. The case is tangerine skin c.1780. The case is embossed
with the symbol for longevity surrounded by dots representing
grains of rice and finally bats. Together these bestow the 5
blessings: longevity, richness, health, virtue and a good life.
The Harriet and J. William Rosenthal, MD Collection. |

Ivory Chinese spectacle case in the shape of a gourd with a
stone carved monkey attached to cord, c.1700. Gourds symbolize
home while the carving represents enduring abundance. Together
they represent the wish for children and a long-lived dynasty.
In addition, the monkey is an amulet to ward off evil spirits.
The Harriet and J. William Rosenthal, MD Collection. |

Colored spectacles, c.1850. Metal, glass. |

Lorgnette, c.1900. Silver, glass. |

Spencer Optical trade card. Distributed by J.A. Reed and Son,
c.1877. Gift of David J. Noonan. |
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February 8 - October 12, 2008
- COURTYARD
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OUTDOOR SCULPTURE COMPETITION
Gina Cavallo Collins, Coordinator of the Statewide Exhibits Program
at the Virginia Museum of Fine Arts in Richmond juried the 2008
Outdoor Sculpture Competition and Exhibit that will be displayed in
the historic courtyard of the Courthouse Galleries. Sculptures made
by artists from across the United States and in a range of media
including glass, metal, stone and wood are featured. Artists include
are Steven Durow from New Orleans, Louisiana; Thomas Givens from
Charlottesville, Virginia; Gary Greskow from Oriental, North
Carolina; Alison Helm from Morgantown, West Virginia; Barbara
Kobylinska from Virginia Beach, Virginia; Pokey Park from Tucson,
Arizona; Henry Richardson from New York, New York; Philip T. Smith
from Columbia, Maryland and Kris Waid-Jones from Peru, New York.
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Reception:
February 7, 2008
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Click on images to enlarge. |

Steven Durow, Center I, Glass & Steel, New Orleans,
Louisiana |

Thomas Givens, Humpback Whale Tail, Recycled Mahogany
strips, Charlottesville, VA |

Gary Gresko, Red Right Returning, Fiberglass, rubber and
steel, Oriental, NC |

Alison Helm, Justified Status, Glass and Steel,
Morgantown, WV |

Barbara Kobylinska, Crested Jay, ceramic and paint,
Virginia Beach, VA |

Pokey Park, The Electric Slide and Midnight Serenade,
Bronze, Tucson, Arizona |

Henry Richardson, Tikkun (Healing the World), Chiseled
glass, New York, NY |

Philip T. Smith, ½ x 3, Steel and Stone |

Kris Waid-Jones, Acts of Samson, Welded steel and copper
leaf, Peru, New York |
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September 27, 2008
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4th Annual Museum Day
Smithsonian Magazine and the Portsmouth Museums are celebrating the
4th annual National Museum Day on September 27. Bring a Museum Day
Admission Card and the holder and one guest may enter the museum for
free. Admission Cards can be obtained in the September issue of
Smithsonian Magazine or from the web site at
http://microsite.smithsonianmag.com/museumday/. Be a part of the
national celebration, get into the museums for free and celebrate
the cultural offerings and other activities offered right here in
Hampton Roads. See you there.
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May 16 - August 3, 2008 - ENTRANCE
GALLERIES
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The Seduction of Hot Wax: Encaustic Painting
Encaustic or Hot Wax painting originated in Ancient Greece and is
perhaps the earliest method of easel painting. It became a lost art
during the medieval and Renaissance periods due to the cumbersome
nature of its equipment. In the 18th century it reemerged when mural
painters sought results that could endure under damp conditions.
Encaustic has since enjoyed another revival. Its visual and physical
properties and range of textural and color possibilities have
attracted contemporary artists.
From paintings to prints, this exhibition offers a range of working
methods and techniques with this time-honored and traditional
medium. Encaustic prints and paintings by Michele Barnes, Andi
Helfant Frye, Jean Peacock, and Martine Strohmeyer are featured.
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Click on images to enlarge. |

Helfant-Fry, Andi; Picket Fences |

Barnes, Michele; Loneliness |

Peacock, Jean; Flowers of the Imagination, #5 |

Martine Strohmeyer, Floating Fantasy |
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April 18 - July 6, 2008 - MAIN
GALLERY
(Top) |
KITES: A Tradition for All Ages
The exact date and origin of the kite is unknown, though it is
believed that they were flown in China more than two thousand years
ago. Traders eventually spread kites from China to Korea, and across
Asia to India. As kite flying spread, each area developed a
distinctive style and cultural meaning for flying them. In the 16th
and 17th centuries European sailors brought kites back from Japan
and Malaysia. At first, they were regarded as curiosities and had
little impact on European culture. During the 18th and 19th
centuries, kites were used as tools for scientific research
furthering knowledge about the wind and weather, and also
contributed to development of the airplane.
Kites are made with a variety of materials: fabric, paper, wood and
fiberglass and depending upon size such natural materials as a
simple leaf. For this exhibition, artist designed kites and kites
from many cultures are featured. Programming includes kite making
and kite flying activities.
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Reception: April
18, 2008
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Click on images to enlarge. |
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February 8 - May 4, 2008 - ENTRANCE
GALLERIES
(Top) |
NEW REVOLUTIONS: Wood-turners from Tidewater
Since World War II, woodturning has quietly developed as an art form
- now embraced by collectors and museums. New tools and techniques
have freed turners to explore new forms and ideas. Featured in this
exhibition are wood-turners from the tidewater region of Virginia
and beyond, many of whom are members of the Tidewater Turners.
Turned wooden vases, bowls, chairs and abstracted forms will be
displayed by Bob Chiavarini, Tom Crabb, Mike Dennis, Gerald Felix,
Cliff Guard, Jim Vogle, Wolfgang Voglebean and Jerry Whitehurst.
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Reception:
February 7, 2008
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Click on images to enlarge. |

Crabb, Tom; Holly forms with feathers, all are 6” H x 5 ¾” dia.x
2” depth |

Felix, Gerald; chair |

Vogle, Jim |

Voglebean, Wolfgang |
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January 25 - March 30, 2008 - MAIN
GALLERY
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ANNUAL PORTFOLIO: Tidewater Art Alliance
This annual juried multi-media exhibit offers member artists an
opportunity to exhibit a cohesive body of six works that represent a
developed theme, style or vision. The Tidewater Art Alliance is a
non-profit organization of professional artists and patrons of the
arts who support, develop and promote the visual arts in Hampton
Roads.
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Reception:
February 7, 2008
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Click on images to enlarge. |
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2008 Annual
Portfolio Awards |
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Best in Show |

Lee Gerry Wertheimer, Generation to Generation, Ink on
Handmade Bark Paper, Virginia Beach, VA |

Lee Gerry Wertheimer, View of Death, Ink on Handmade Bark
Paper, Virginia Beach, VA |
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Anne Myers
Award |

James Warwick Jones, Staircase Shell, Acrylic on wood
panel, Seaside, VA |

James Warwick Jones, Shell 14, Acrylic on wood panel,
Seaside, VA |
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Award of
Excellence |

Christi Harris, Festooned Hearts, Oil on Canvas, Hampton,
VA |

Christi Harris, Italian Wedding, Oil on Canvas, Hampton,
VA |
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Honorable
Mention |

Karen Sullivan, First Teapot, Found ceramic and polymer
clay, Virginia Beach, VA |

Susan Howell, Tyler, Painted Photograph, Norfolk, VA |
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Award of
Merit |

Eleanor Powell, Two Pattern Puzzle, Acrylic on Canvas,
Norfolk, VA |
Photo
Award
(Two recognized for this award) |

David Katz, Mystical Glass #6, Chesapeake, VA |

Howard Martinez, Gabonese Mandrill, Norfolk, VA |
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2005
Portfolio Award-Winning Artists |
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November 21 - December 31, 2008 -
MAIN and ENTRANCE GALLERIES
(Top) |
WINTER WONDERLAND: The Coleman Collection
The Courthouse Galleries kick-off the holiday season with Winter
Wonderland, displays from the Coleman Nursery Collection that became
a tradition for families from across the Hampton Roads region and
beyond. The collection began in the mid-1960s when owner, A. J.
“Junie” Lancaster purchased a single snoring Santa grew over the
years to include well over 100 animated figures.
Following the closing of the Coleman Nursery in January 2004, the
City of Portsmouth and Portsmouth Museums Foundation joined forces
to keep this attraction in Portsmouth for generations to come. |
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